Wednesday, 28 October 2009
-
THE MOST ANNOYING TRENDS OF THE NEW MILLENIUM
It might be just me, but as I get older I find myself growing increasingly irritated by what seems to be ever more obvious attempts to turn everything on Earth into a pre-packaged product composed almost entirely of flash over substance. It’s all filler and no nutrients, like giant marshmallow sandwiches that look good, but are nothing more than empty, sugary fluff.These then are a few of my least favorite things that are turning the first decade of the 21st century into the flotsam and jetsam millennium:
VAMPIRES
WTF is up with all this Vampire shiite? They are literally EVERYWHERE in popular culture. Can anyone explain to me why people under the age of 20 are obsessed with the entirely fictitious idea of demonic, blood suckers torn from the pages of Tiger Beat magazine and thrust into the local High School to bewitch the likes of jocks, cheerleaders and brainiacs on Main streets across the Western world? This guy Pattinson looks like he could actually use some real blood in his anemic body; his hair looks healthier than he does. Are teens so bored and dismissive of real life that they would rather retreat into a fantasy world where at least you know what to expect from the brooding new kid with the fangs? Enough already.
TWITTER
This has got to be the most unnecessary of all the formulaic new media available 24/7 to a fad obsessed culture. Not content to have email, instant messaging and text, the invasive geniuses at TWITTER now provide the average person with the ability to project their averageness, or the newest celebrity their celebritiness to the entire planet if need be, updating whole communities simultaneously about the slightest minutiae of their every waking moment. Imagine going a full hour without knowing if Paris Hilton was stepping out of a cab, or if Shia LaBeouf got a new haircut, or if your spouse was eating a healthy lunch and possibly farting afterward, all in real time? The very idea makes me want to jump on my BlackBerry and TWITTER my anxiety about even considering missing all that important crap that makes me feel so important because I can live vicariously through all these important people who make life so important with their important crap.
MILEY CYRUS
For the love of God, what makes this young woman and her followers believe she is the second coming of Jesus? You cannot turn on the television or the computer without being bombarded by an endless stream of vapid information about this endlessly vacuous and completely manufactured individual. A vastly popular television show, countless concert tours, a movie and truly Herculean volumes of gossip have yet to inspire me to believe this 15 year old daughter of a one hit wonder country musician whose fame ended just as Miley was conceived, has even a shred of legitimate talent. The most one can claim is that she is the new Britney Spears; who would want to aspire to anything more than that?
BRITNEY SPEARS
The one who set the mold for young, immensely popular ‘celebrities’ whose entire persona is based on the idea that if you manage to get your image broadcast virtually 24 hours a day, no one will notice that you actually have no credible attributes to validate your status as a ‘star,’ and that your life is really nothing more than a spectacular train wreck with designer clothes. The best that can be said about BS is that she’s the old Miley Cyrus, but with more plastic surgery and offspring, both of which are merely tax deductible accessories for her.
ADOLESCENT INTERNET WHORES
These desperate, attention seeking teens fall into two categories; males and females. The male version generally consists of 14 to 18 year olds picking fights with one another and filming the entire melee on their cellphones before uploading it to UTube or EBaumsWorld or other similar websites that cater to the basest instincts fueling puerile, adolescent fantasies of wannabe gangbangers, whose idea of fun is to corner someone and beat the crap out of them while their buddies look on approvingly and often join in; most disturbing is the growing number of teen girls who find this equally entertaining. The female version is generally comprised of young girls 13 to 19 years of age whose idea of a good time is to get together in groups of from 3 to 10 individuals, take off their clothes and drink themselves into a super sexy stupor that allows them to dance like seasoned strippers in lingerie designed for adult women in front of a webcam. and then upload the video onto the internet as fast as possible, thus ensuring the onset of premature heart attacks and permanent facial tics for fathers all over the world.
Just two words of advice to both versions; aim higher.
REALITY SHOWS
Years ago while watching one of the first Survivor episodes, which incidentally was my last episode, I remarked to my friends in attendance that if this trend continued, it wouldn’t be long before the FOX network would feature such stirring TV fare as ‘Virgins Vs. Volcanoes!’ or ‘Who Wants to Marry My Dead Gay Dad? Everyone laughed and thought I was just being typically cynical. I was, but I was also perfectly serious. In the ensuing decade, there has been absolutely nothing to suggest that my prediction won’t eventually come true. ‘Bubble Boy’ certainly didn’t convince me that people aren't now willing to do ANYTHING, including breaking the law, for the chance to show the entire universe just how messed up they are in between commercials for male erectile dysfunction and female condoms.
CELLPHONES
I’ve written about this before, but the wholly ubiquitous nature of these handheld devices, and their increasingly sophisticated designs have made them more common than a wristwatch and more annoying than Nigerian Princes who send emails calling you ‘Dear Lovely One.’ If you threatened to restrict the use of these bloody things for one day from the average teenager, they would first break out in a cold sweat, then club you over the head with their 45 pound backpack and push you under the wheels of the nearest SUV. The entire thing would be recorded and on UTube before your body entered rigor mortis. This is what happens when you give a 14 year old a $500 IPhone as a birthday present because ‘Everyone else in school has one!’ Don’t be surprised to find homemade fight videos or exotic dancing on the device should your son or daughter be foolish enough to leave it where you might find it; and that’s if you can crack their security password because they aren’t stupid enough to let their parents find out what they’ve really been doing with the damn thing.
Please let me know if I've missed anything truly cringe-worthy.
Copyright JQM 2009
Post a Comment
- Back to jarreauquasimedia's Xanga Site!
- Note: your comment will appear in jarreauquasimedia's local time zone: GMT -05:00 (Eastern Standard - US, Canada)










Comments (341)
"The one who set the mold for young, immensely popular ‘celebrities’ whose entire persona is based on the idea that if you manage to get your image broadcast virtually 24 hours a day, no one will notice that you actually have no credible attributes to validate your status as a ‘star,’"
You mean Elvis? I agree.
"Tweeting after sex: a do or a don't?"
Actual post title on Datingish.
@LeMepris - Elvis may have gone out as a bloated and drug addled shadow of his former self, but if you think you'd be listening to rock music if it weren't for him, you must be joking.
http://www.youtube.com/watch?v=y-_6BUtyWK4&feature=related
Right up to the end, the guy's voice was supernatural.
http://www.youtube.com/watch?v=E32SCqI_3sE
He had more talent in his hair than all the Britney Spears' and Miley Cyrus' in the universe times ten thousand.
Belie' dat bro.
@LeMepris - I've got news for you; tweeting is likely to supplant sex at this rate.
"Elvis may have gone out as a bloated and drug addled shadow of his former self, but if you think you'd be listening to rock music if it weren't for him, you must be joking."
Elvis's role in popularizing and developing the early history of rock n' roll tends to be overstated because he was the first one to be noticed by squares. He offered little more than Chuck Berryisms with the sexuality toned down.
"He had more talent in his hair than all the Britney Spears' and Miley Cyrus' in the universe times ten thousand."
Maybe, but if you think his talent was the primary reason for his success and legacy, then YOU must be joking.
@LeMepris - Very few artists were covering rhythm and blues or any other forms of Black music with crossover appeal before Elvis; unlike todya, back then you didn't get to be the first international superstar of a new genre of music on just a pretty face and no talent. BTW, Elvis' early popularity had nothing to do withhis being noticed by squares. Then as now, his initial popularity was a direct result of his immense sex appeal to teenage girls, but the fact that he had one of the most unique and instantly recognizable voices in the history of recorded music is certainly not a small part of why he continues to fascinate and sell his music to this day.
'He offered little more than Chuck Berryisms with the sexuality toned down.'
Interesting; many people think the Rolling Stones, specifically Keith Richards, ripped Chuck off blind, but they still get called the Greatest Rock and Roll Band in the World, despite offering little more than long hair, spastic dancing and low class English accents.
'Maybe, but if you think his talent was the primary reason for his success and legacy, then YOU must be joking.'
That's exactly what I think, and Hell no I'm not joking. Sex is sex and talent is talent, and rarely do the twain meet in todays pop stars. Once upon a time it was a dynamic combination that gave the world the likes of Smoky Robinson, The Supremes, Jackie Wilson, Otis Redding, Jimmi Hendrix, Janis Joplin, Van Morrison, The Beatles, Al Green, Marvin Gaye, Minnie Ripperton, Ann and Nancy Wilson, Led Zeppelin and so many more timeless artists that continue to put today's vain, shortlived and interchangeable acts to shame.
"Interesting; many people think the Rolling Stones, specifically Keith Richards, ripped Chuck off blind"
No doubt, especially in their earlier career.
"they still get called the Greatest Rock and Roll Band in the World, despite offering little more than long hair, spastic dancing and low class English accents."
They also offered the most potent and seamless blend of American musical styles that had been seen in rock n' roll until that date. At the same time the Beatles were expanding the consciousness of rock music, and the Velvet Underground were expanding the social reach, the Stones expanded the form to incorporate the blues, folk music, and country, shaming an entire nation by one upping them on their own musical heritage. To say they offered little more than spastic dancing and low class English accents is intentionally dismissive.
"Once upon a time it was a dynamic combination that gave the world the likes of Smoky Robinson, The Supremes, Jackie Wilson, Otis Redding, Jimmi Hendrix, Janis Joplin, Van Morrison, The Beatles, Al Green, Marvin Gaye, Minnie Ripperton, Ann and Nancy Wilson, Led Zeppelin and so many more timeless artists that continue to put today's vain, shortlived and interchangeable acts to shame."
I was mostly being snarky in my previous comment, but my main point is that Elvis was just as manufactured, commercial, and phony a property as any pop star you rally against. The Motown artists you mentioned were products of an extremely cynical marketing plan and a musical assembly line, just like today's pop stars. They seem more "authentic" nowadays because they were designed to seem more authentic. But again, they were just as manufactured.
Also, lol @ Ann and Nancy Wilson.
@LeMepris - 'They also offered the most potent and seamless blend of American
musical styles that had been seen in rock n' roll until that date.'
Try telling that to legions of unknown Black musicians who had been playing those same Rhythm and Blues for years in the Mississippi Delta before any White, English lads discovered the genre.
'the Stones expanded the form to incorporate
the blues, folk music, and country, shaming an entire nation by one
upping them on their own musical heritage...'
Again, I don't recommend you state that so emphatically below the Macon/Dixon line; you'll get run out of town on a rail.
'To say they offered little more than spastic dancing and low class English accents is intentionally dismissive.'
That was somewhat facetious amigo; my point is that music, like many art forms, has a long and sordid history of stealing licks and building something new and accessible from someone or somewhere else that few people had ever heard of, with many an unsung originator forced to watch in obscurity as someone else 'borrowed' their material or style and becomes rich and famous without ever having to create 'the sound' on their own. The difference, especially in the 1950's and '60's, often came down to which artists were Black and which were White.
'I was mostly being snarky in my previous
comment, but my main point is that Elvis was just as manufactured,
commercial, and phony a property as any pop star you rally against. '
Dude, before Elvis, the only other 'pop stars' were Rudy Vallee, Bing Crosby and then Frank Sinatra. Of course Elvis was marketed, but until he came along, there was no such thing as record executives sitting in a boardroom looking at 8' X 10' headshots and trying to find the 'next' Elvis. Today, every music label on Earth has a whole division dedicated to putting together acts whose sole purpose is to sell records, not make music, a la the Backstreet Boys, The Spice Girls, the Pussycat Dolls etc, whose main talents are being attractive and easily manipulated, and none of which were even a band before a bunch of suits decided they looked good together and whose voices didn't overpower one another.
'The Motown artists you mentioned were
products of an extremely cynical marketing plan and a musical assembly
line, just like today's pop stars.'
Cynical? Not to me; assembly line, yes they were, and highly successful at it too, because they weren't just in it for the money. Gordy had a core belief that their talent would allow other Black artists (who btw weren't exactly getting an equal amount of radio play as their White counterparts prior to Motown) to follow in their footsteps, and I gaurentee you that the Motown sound will still be playing long after the Backstreet Boys, the Spice Girls and the Pussycat Dolls are relegated to the 'Whatever happened to...?' 50 cent discount bin at Walmart.
'Also, lol @ Ann and Nancy Wilson.'
Really? You might want to check these out and remember there was a time when singers and bands did their thing without pre-recorded dub tracks and multiple costume changes..
Rock on bro.
http://www.youtube.com/watch?v=4gpNqB4dnT4
http://www.youtube.com/watch?v=eZf45FI2qYY&feature=related
http://www.youtube.com/watch?v=gQDJ45qJHBQ&feature=related
"Try telling that to legions of unknown Black musicians who had been playing those same Rhythm and Blues for years in the Mississippi Delta before any White, English lads discovered the genre."
I'm aware of the heritage of American folk music. The Stones just shamed our nation by doing it one better.
"Again, I don't recommend you state that so emphatically below the Macon/Dixon line; you'll get run out of town on a rail."
I would be in constant danger of a lynching in most Southern states anyways, for far more reasons than daring to question cultural mythology.
"my point is that music, like many art forms, has a long and sordid history of stealing licks and building something new and accessible from someone or somewhere else that few people had ever heard of, with many an unsung originator forced to watch in obscurity as someone else 'borrowed' their material or style and becomes rich and famous without ever having to create 'the sound' on their own. The difference, especially in the 1950's and '60's, often came down to which artists were Black and which were White."
No doubt.
"Dude, before Elvis, the only other 'pop stars' were Rudy Vallee, Bing Crosby and then Frank Sinatra. Of course Elvis was marketed, but until he came along, there was no such thing as record executives sitting in a boardroom looking at 8' X 10' headshots and trying to find the 'next' Elvis. Today, every music label on Earth has a whole division dedicated to putting together acts whose sole purpose is to sell records, not make music, a la the Backstreet Boys, The Spice Girls, the Pussycat Dolls etc, whose main talents are being attractive and easily manipulated, and none of which were even a band before a bunch of suits decided they looked good together and whose voices didn't overpower one another."
I'm not sure what you're point is here, all I can really say in response is that notions of "talent" are pure projections of ego. The marketing, image, and "talent" (an extremely dubious notion if there ever was one) of a musician are complete non issues to those concerned with the actual sound being produced.
"Gordy had a core belief that their talent would allow other Black artists (who btw weren't exactly getting an equal amount of radio play as their White counterparts prior to Motown) to follow in their footsteps"
I have read enough books on Berry Gordy to be completely skeptical of any so called noble intentions the man may have ever claimed to posess.
"Really? You might want to check these out and remember there was a time when singers and bands did their thing without pre-recorded dub tracks and multiple costume changes.."
I repeat: lol.
I think in your harping on the Backstreet Boys, Spice Girls, Hannah Montana, whatever, who are missing the fact that these were all created for and marketed towards children under the age of twelve. If you wish to discuss the inanity of children's entertainment, do so, but it is disingenuous to pretend that these artists are somehow even playing the same game as the Beatles or whoever.
@LeMepris - 'I'm aware of the heritage of American folk music. The Stones just shamed our nation by doing it one better.'
You're not alone in that opinion, but I don't share it, nor would I call Rhythm and Blues folk music per se, but what's in a name?
'I would be in constant danger of a
lynching in most Southern states anyways, for far more reasons than
daring to question cultural mythology.'
Why would that be? You been eyeballin' some fine country belles?
'I'm not sure what you're point is here, all
I can really say in response is that notions of "talent" are pure
projections of ego. The marketing, image, and "talent" (an extremely
dubious notion if there ever was one) of a musician are complete non
issues to those concerned with the actual sound being produced.'
That WAS my point, talent today has been reduced to marketing and image and has almost nothing to do with producing music that even pretends to sound good, much less being direct result of output from the artist. It's all about looking good and making money. You can't be so jaded as to think that artistic talent was or is meaningless? Come on now.
'I have read enough books on Berry Gordy to
be completely skeptical of any so called noble intentions the man may
have ever claimed to posess.'
LOL; I don't claim the man is a saint, but if he didn't believe he could find and develop artists that made good music, there is little to suggest he would or could have.
'I repeat: lol.'
Oh man, dissing the Wilson sisters at the height of their prowess and beauty? You really are jaded; none of today's fluffy pop tarts can hold a candle these ladies.
'I think in your harping on the Backstreet
Boys, Spice Girls, Hannah Montana, whatever, who are missing the fact
that these were all created for and marketed towards children under the
age of twelve. '
Actually, I believe I am stating inherently that this is the problem with them; they are created and marketed for adolescents whose attention spans and appreciation for quality lasts about as long as a Tootsie Roll on a tanning bed.
'If you wish to discuss the inanity of
children's entertainment, do so, but it is disingenuous to pretend that
these artists are somehow even playing the same game as the Beatles or
whoever.'
Would that they were my friend; you can't have failed to notice that entertainment is increasingly geared to younger and younger audiences that seem to be in command of larger and larger amounts of incendiary income? This only feeds into the Bubble Gum mentality of producing entertainment that is as disposable as Kleenex, but without the utilitarian benefits.
Really now, what's your beef with Heart? I gots to know.
"nor would I call Rhythm and Blues folk music per se"
I would, and I would also consider rockabilly folk music, too, if you go by the definition of folk music as arising organically from cultural heritage.
"That WAS my point, talent today has been reduced to marketing and image and has almost nothing to do with producing music that even pretends to sound good, much less being direct result of output from the artist."
I don't disagree, but I think we've been there a lot longer than you do.
"It's all about looking good and making money. You can't be so jaded as to think that artistic talent was or is meaningless?"
I'm just saying that "talent" is hard to define. Making money is a talent, not everybody can do that. In the case of manufactured pop music, one merely has to take a step back in the production line to see where the true talent lies (and there is a lot of artistically valid music made within the strict confines of mainstream pop music: your example of Motown for one, and a lot of the work of artists today who create backing tracks for the pop stars you decry. Look at a lot of early tracks by the Neptunes for great examples of pure pop minimalism).
"Actually, I believe I am stating inherently that this is the problem with them; they are created and marketed for adolescents whose attention spans and appreciation for quality lasts about as long as a Tootsie Roll on a tanning bed."
So if an audience has no attention span or appreciation for beauty, then why should anyone waste their time trying to market beauty towards them?
"Would that they were my friend; you can't have failed to notice that entertainment is increasingly geared to younger and younger audiences that seem to be in command of larger and larger amounts of incendiary income?"
The same thing happened at the dawn of the rock n' roll age, when teenagers were first seen as a demographic with their own buying power. Adults and self proclaimed sophisticates of the time levied the same criticisms against rock n' roll that you now direct at teenage Disney pop. We all know who was proven right on that one.
"This only feeds into the Bubble Gum mentality of producing entertainment that is as disposable as Kleenex, but without the utilitarian benefits."
There has been bubble gum entertainment as long as there have been human beings who were sufficiently evolved enough to want to be entertained. Time inevitably seperates the wheat from the chaff (well, not always...), and I certainly don't think it's worth getting up in arms about.
"Really now, what's your beef with Heart? I gots to know."
They are soul less seventies cock rock. They are Foreigner. They are Bad Company. They are Styx. And they proved it by Monster Ballad-ing it up in the eighties. Yet somehow they are given a pass because they were females playing constipated Zeppelin riffs instead of males.
Fuck Heart.
I'm going to buy you a copy of Exile On Main Street.
@LeMepris - 'I'm just saying that "talent" is hard to define.'
I don't agree; personal taste aside, talent is something which should be apparent to even the least objective observer. I may not care for Egon Schiele vis a vis Johannes Vermeer, but there is not denying the inherent talent of either artist simply because one is more appealing than the other. BTW, I like both of them for vastly different reasons.
'So if an audience has no attention
span or appreciation for beauty, then why should anyone waste their
time trying to market beauty towards them? '' And they proved it by Monster Ballad-ing it up in the eighties. 'Who didn't? I guess you never heard the Stones' 'UnderCover' album? 'Fuck Heart.'
I think we have both agreed on the rationale; to make money, which isn't a very solid foundation on which to pursue a career in an artistic forum, but then, that's not what we're talking about.
'The same thing happened at the dawn of the
rock n' roll age, when teenagers were first seen as a demographic with
their own buying power. Adults and self proclaimed sophisticates of
the time levied the same criticisms against rock n' roll that you now
direct at teenage Disney pop. We all know who was proven right on that
one.'
True, but then I don't think you're arguing that in 25 years time there will be a Britney Spears induction ceremony into the Rock and Roll Hall of Fame, are you? Because there won't be.
'There has been bubble gum entertainment as
long as there have been human beings who were sufficiently evolved
enough to want to be entertained.'
Sadly, all too true, though not to the extent seen now.
'Time inevitably seperates the wheat
from the chaff (well, not always...), and I certainly don't think it's
worth getting up in arms about.'
I'm not; I wrote a satiric blog post about it, which we've been debating for several hours now; I might suggest that you're the one up in arms about it, but then the point of the piece was to elicit a response, so why the eff would I do that?
'Yet somehow they are given a pass because they were females playing constipated Zeppelin riffs instead of males.'
Whoa man, remember what I said about objectivity; you really are up in arms.
'Fuck Heart.'
Heart rocked, you don't even know; and I wish I could have.
Ann's killer voice and Nancy's chops can still kick the shit out of the Pussycat Dolls any day of the week.
Just because they don't appeal to you doesn't mean they aren't talented boss.
Britney Spears? Not so much.
@LeMepris -
'I'm going to buy you a copy of Exile On Main Street.'
Haha; who do you think you're talking to
man? I'm 46. You don't really think there's anything about the Stones
I didn't live through at the time they were doing it?
They simply aren't my cuppa, but I can appreciate them for who and what they are.
BTW, my step mother has every single original Stones/Beatles/Who album ever released in North America, among others.
Vinyl baby, and mint.
But even though I've grown up in Toronto since 1964, I'm Jamaican, so them skinny ass White boys just aren't my preferred sound.
Got to have me some groove bro.
"'Who didn't?"
A lot of bands didn't.
"I guess you never heard the Stones' 'UnderCover' album?"
I kinda like to pretend that they all died in a train wreck sometime around 1979.
"True, but then I don't think you're arguing that in 25 years time there will be a Britney Spears induction ceremony into the Rock and Roll Hall of Fame, are you? Because there won't be."
Maybe not. I'll bet nobody thought Madonna would make it into the Hall twenty five years ago.
"Sadly, all too true, though not to the extent seen now."
I think this can be chalked up to the fact that we're a media saturated culture in all respects. With 160,000,000,000,000+ channels of cable, there's a lot of airtime to be filled, and so more regional and marginal interests get gobbled up by the media machine, and quicker. There's just as much good and bad now as there ever was.
"I might suggest that you're the one up in arms about it"
I'm up in arms about everything. Don't use me as a barometer, I'll be dead of a heart attack by age thirty.
"Just because they don't appeal to you doesn't mean they aren't talented boss."
I never said they weren't talented. Just that they suck.
"But even though I've grown up in Toronto since 1964, I'm Jamaican, so them skinny ass White boys just aren't my preferred sound."
You're Jamaican? Score me some vintage Black Ark 45s and a zip of KB. I'll pay you back with copious amounts of whatever your prefered cultural stereotype for pontificating white Midwestern snobs is.
@LeMepris - 'A lot of bands didn't.'
But a lot of them did.
'I kinda like to pretend that they all died in a train wreck sometime around 1979.'
Even Mozart had some sub par outings; they can't all be homeruns.
'Maybe not. I'll bet nobody thought Madonna would make it into the Hall twenty five years ago.'
Everyone but Madonna; hard to deny her influence on pop music for the last quarter century.
'There's just as much good and bad now as there ever was.'
Meh, maybe so, but there sure seems like more bad than good, musically speaking at least.
'I'm up in arms about everything. Don't use me as a barometer, I'll be dead of a heart attack by age thirty.'
Jesus, relax guy; 'Everything's gonna be alright; everything's gonna be alright now....'
'I never said they weren't talented. Just that they suck.'
Pithy and cruel bro; even I didn't say Miley Cyrus sucks, just that she's wayyyyyyy overrated.
Black Ark 45's? You might as well ask me to find Jimmy Hoffa. A zip of KB?
You musee mad bwoi.
Vampires, twitter, miley cyrus, britney spears, reality shows, internet whores...ya it all bugs me, and shows just how selfish our culture is!!
I had no idea girls on youtube were doing that...how did YOU figure that out?
Twitter is incredibly useful for marketing and if you subscribe to the right people, there is no boring tweet. There is so much cool art/information out there that Twitter can be used to connect people to it.
You debated poorly on LeMepris' site. You took a jump in logic by reading my statement and assuming things about the way I am. My statement was not thought out and not sincere and I was mostly joking. Treating people that way just frustrates them and doesn't prove you right. how is that a way to spend time? I spent my teenage-hood on the internet, debating about Christianity with 50-somethings (the rock-and-roll being of the devil debate is STILL out there) and I regret every hour of it. I'd be a lot less lonely if I'd spent the time learning how to make friends.
I side with you on the Elvis debate. His songs still stand up (even if he didn't write them) in a way that Miley's and Spears' won't. Well, some of Spears's songs may, but not anything from her new awful album. This generation looks at music WAY differently from your generation. Production is key. A producer of an album is like a director of a movie. She/he affects everything about it.
These things that annoy you will become nostalgic for many in 20 years. Isn't that gross to think about? But it's good in a way...reality shows will be history. Or will they?
that's a crazy looking cellphone! is that real?
Heeheeheeheeheeha...I agree with you wholeheartedly about most of this stuff. Except the vampires. I hate Twilight, but I've liked vampires since before they got to be so trendy.
@walkswithoneshoe - 'I had no idea girls on youtube were doing that...how did YOU figure that out?'
I....ummm......read....about it......
'Twitter is incredibly useful for marketing
and if you subscribe to the right people, there is no boring tweet.
There is so much cool art/information out there that Twitter can be
used to connect people to it.'
Perhaps, which only makes it that much more perplexing that people use it as an ongoing dialogue about every second of their day, which simply isn't that cool.
'You debated poorly on LeMepris' site. You
took a jump in logic by reading my statement and assuming things about
the way I am. My statement was not thought out and not sincere and I
was mostly joking.'
You might have said that instead of jumping to conclusions about me based on my comments of your post.
'I spent my teenage-hood on the internet,
debating about Christianity with 50-somethings (the rock-and-roll being
of the devil debate is STILL out there) and I regret every hour of it.'
Hmmm, did your parents know about that? It sounds somewhat dangerous in that you may have interacted with a lot of creeps. This is something that my younger brother, who has twin 14 year old girls, constantly monitors their use of the net to guard against. You do seem to have navigated the perils however; Mazel Tov.
'I'd be a lot less lonely if I'd spent the time learning how to make friends.'
It's hard to imagine an attractive, intelligent and articulate young woman such as youself would be as lonely as you claim; I bet there are dozens of decent young Christians flirting with impure thoughts about you, but are too shy or insecure to approach you. Although men are funny that way. Most of us see a beautiful woman and instantly think we're not good enough for them, which only leaves many attractive women wondering why men don't approach them. Must be the circle of life.
'I side with you on the Elvis debate. His
songs still stand up (even if he didn't write them) in a way that
Miley's and Spears' won't.'
E has a power all his own; TCB Momma.
'This generation looks at music WAY differently from your generation.'
No argument there.
'A producer of an album is like a director of a movie. She/he affects everything about it. '
I agree the producer can be instrumental in making the whole better from the sum of the parts, but it still requires good material and a good artist to make the final product work.
'These things that annoy you will become nostalgic for many in 20 years. '
Don't I know it, but as LeMepris has made clear, while you are looking back fondly from your forties, many in their twenties will be scoffing at your nostalgia and critically announcing that your tastes 'suck.'
'Isn't that gross to think about? But it's good in a way..'
Meh, it's simply the cynic of life.
'reality shows will be history. Or will they?'
My dear, from your lips to God's ear :)
BTW, I think your blog is cool; haven't commented because I didn't want you to think I was stalking you to lay any bad vibes your way.
“Seek peace, and pursue it."
(Proverbs 34:14)
@Mac_Libureet - Couldn't agree more, even though most of the technology blows me away, I think a good deal of it is going to waste by the mundane use of so much of it.
I've been waiting for that Jetson's hovercar my whole life; what's up with that?
@Justice_Asylum - I hope not; it would be pretty embarrassing to surf penile enhancement sites on that puppy.
Or.....so I've heard.....from a friend.....
@ReeserTheShadow - Everybody likes Vampires; until Vampires attack....
They've got the reality show syndrome going on now; at first people loved the novelty of a reality show, but now that there are so many taking over the airwaves, they've jumped the shark and may soon see a growing 'who cares' reaction.
Now show me a reality show about Vampires in High School and I'm there....
OH MAN; that reminds me that I forgot to include HIGH SCHOOL MUSICAL in my list!
D'oh.
though the examples of your argument are only the tip of the ice-berg of this heavily technologized, globalized age, you argue well (:
I like your style